David Allan Coe Rides Again as the Longhaired Redneck
| Longhaired Redneck | ||||
|---|---|---|---|---|
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| Studio album by David Allan Coe | ||||
| Released | March 1976 | |||
| Recorded | 1975 at Columbia Studio in Nashville | |||
| Genre | State, Outlaw country | |||
| Length | 28:16 | |||
| Characterization | Columbia | |||
| Producer | Ron Bledsoe | |||
| David Allan Coe chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
Longhaired Redneck is an album released by country musician David Allan Coe. It was released in 1976 on Columbia.
Recording [edit]
Longhaired Redneck was Coe's 3rd album for Columbia in three years and the first where he wrote or co-wrote all the songs. Coe had already written several hits for other artists and scored his own Top ten striking in 1975 with the Steve Goodman-John Prine composition "Yous Never Even Called Me by My Proper noun." By 1976 the outlaw country movement was in full swing as artists such equally Waylon Jennings and Willie Nelson were finally enjoying massive commercial success after years of fighting to record their music their own mode. Coe, however, was however somewhat of an outsider, almost likewise outlaw for the outlaws, a predicament summed up well by Thom Jurek in his AllMusic review of the LP:
His wild, long hair; multiple earrings; flashy, glitzy rhinestone suits; Harley Davidson biker boots; and football-sized belt buckles had become obstacles to getting people to have him seriously as a recording artist. Other singers connected to record and succeed with his cloth, but the author himself - who was as practiced a singer equally almost anyone and better than about - languished in obscurity. Rather than tone it down, Coe characteristically shoved the stereotypes in their faces. He retired the Mysterious Rhinestone Cowboy persona and billed his new anthology as "David Allan Coe Rides Again every bit the Longhaired Redneck," something equally off-putting to institution types.[i]
The outlaw land zeitgeist was summed up well in the title rails of Longhaired Redneck, which recounts playing in a dive "where bikers stare at cowboys who are laughing at the hippies who are praying they'll go out of here live." The vocal, which has an unmistakable rock swagger, features Coe performing an impressive imitation of Ernest Tubb, making it irretrievably country besides, illustrating the dichotomy of what was beingness referred to equally "progressive" country music. Coe afterwards explained, "It was terminology that I'd made up at the time. I was trying to tell people that not everybody with long hair was a hippie. Not anybody was the kind of person that thought you could punch them out, have their money and that they'd say, 'I won't exercise nothin' about it.'"[2] The song is besides an early on example of Coe'southward penchant for namedropping, equally he mentions Merle Haggard and proclaims "Johnny Cash helped me get out of prison house."
Several of the songs, such as the prison complaining "Revenge" and "Living on the Run," play upwards to the outlaw image, while "Spotlight" explores the lonely wasted existence of a country singer. ("Roll me a smoke, give me some coke...") and advises the press, "Don't waste material your time or your flashbulbs, likewise many heroes are dead." (In the same AllMusic review, Thom Jurek contends the song "sums upward the style he views his life at this item juncture, and given the lyrics, his heed couldn't accept been a nice place to live.")[1] Conversely, Longhaired Redneck also contains songs with warmer themes, such as "Texas Lullaby" ("See those tumbleweeds blowin', Lord it makes me desire to cry/It reminds me of my daddy and that Texas lullaby") and "Family Reunion," which boasts multilayered harmonies and an innuendo to the bluegrass archetype "Fox on the Run". "Gratuitous Born Ramblin' Man" is a more obvious derivative paean to Southern rock, with its Allman Brothers-like guitar intro and championship evoking that band's biggest hit.
Coe is backed by The Nashville Edition and The Jordanaires on vocals, likewise equally some of Nashville's top session musicians such as Reggie Young and Charlie McCoy.
Reception [edit]
AllMusic praised the album, opining "Like most of Coe's '70s material, this one's essential outlaw land that stands the test of time," but scorned the LP's closing runway "Dakota the Dancing Acquit, Part Ii," as "an practice in cynical, pointless counterculture idiocy and, unfortunately, was the first of Coe's 'novelty' songs."[1]
Track list [edit]
All Songs written past David Allan Coe except where noted.
- "Longhaired Redneck" (Coe, Jimmy Rabbitt) – iii:24
- "When She'south Got Me (Where She Wants Me)" – 2:49
- "Revenge" (Coe, Jimmy Sadd) – 2:33
- "Texas Lullaby" (Coe, Ann McGowan) – 4:14
- "Living on the Run" (Coe, Jimmy L. Howard) – 2:35
- "Family Reunion" – 4:03
- "Rock and Roll Holiday" – 2:11
- "Free Born Rambling Homo" – 2:16
- "Spotlight" – three:xi
- "Dakota the Dancing Conduct, Role two" (Coe, Larry Murray) – four:00
Personnel [edit]
- David Allan Coe, The Nashville Edition, The Jordanaires – vocals
- Billy Sanford, John Christopher, Tommy Allsup, Reggie Young – guitar
- Pete Drake – steel guitar, dobro
- Mike Leech, Henry Strzelecki, Ted Reynolds – bass
- Kenny Malone, Ralph Gallant, Buster Phillips – drums
- Hargus "Pig" Robbins, Ron Oates – piano
- Buddy Spicher – violin, mandolin
- Charlie McCoy – harmonica, vibes
- The Nashville Cord Machine – strings
- Billy Sherrill, Ron Bledsoe – product
References [edit]
- ^ a b c Thom Jurek. "The Mysterious Rhinestone Cowboy – David Allan Coe". Allmusic . Retrieved September 6, 2011.
- ^ Engelhardt, Kristof (January 2003). Review An Exclusive Interview with David Allan Coe http://world wide web.review-magazine.com/title= An Exclusive Interview with David Allan Coe. Retrieved January fourteen, 2020. ;
Source: https://en.wikipedia.org/wiki/Longhaired_Redneck
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